Associate Professor of Jazz, String Bass
Cadence Magazine calls John Fremgen “…an adroit craftsman on the strings slapping and popping away on electric or plucking resonant tones on acoustic.” He grew up in the Chicago area where he studied classical bass with Harold Siegel. He received a BM in Commercial Music from Millikin University and a MM in Jazz Studies from The University of Southern California where he studied with Brian Bromberg and Shelly Berg. As bassist for five-time Grammy-winning singer/songwriter Christopher Cross, Sony recording artist PJ Olsson and jazz legend Butch Miles, he has performed across the USA as well as in Germany, Japan, Italy, Brazil, Canada, Mexico and Switzerland. He is an Associate Professor of Jazz Studies at UT Austin and has taught, given masterclasses, conducted, and performed at The Rimsky Korsakov Conservatory in St. Petersburg, The Conservatorio di Musica di Perugia in Umbria, Italy, The Rhythmic Music Conservatory in Aarhus, Denmark, The Guatemalan American Institute in Guatemala, The North Sea Jazz Festival, The Guatemala Jazz Festival and The Montreux Jazz Festival. His bass playing can be heard on dozens of jingles, TV shows and movies, including Dawson’s Creek, Party of Five, Shorts, Down to You and The Late Show with David Letterman. He has also recorded as a sideman for numerous artists, including PJ Olsson, Eric Johnson, Christopher Cross, Abra Moore, Ruthie Foster, Rick Trevino among many others. He has released three solo recordings on the Viewpoint label, Meanwhile, Pieces of String and If Not Now, featuring Peter Erskine, Shelly Berg and many others. He can be seen performing in Austin with many artists including Kirk Covington, Butch Miles, Kat Edmonson, Jeff Hellmer and Mitch Watkins.
As a leader:
Meanwhile with Peter Erskine and Mitch Watkins (Viewpoint), Pieces Of String with Peter Erskine and Shelly Berg (Viewpoint), If Not Now (Viewpoint)
As a sideman:
Words For Living PJ Olsson (Sony), Beautifully Insane PJ Olsson (Sony), PJ Olsson PJ Olsson (Red Ink), Dust PJ Olsson (HitIt!), Math And Science Math and Science (Brick Red), The Songs of Dawson’s Creek various (Sony), In My Life George Martin (MCA), Peak Moments Jeff Hellmer/Rick Margitza (Viewpoint), Jazz, Bars and Battlescars Tony Campise (Viewpoint), Faithful Sara Hickman, Goodnight Venus Libby Kirkpatrick (Heart Music), Tucker Livingston Tucker Livingston (AMP), Live at the Paramount Ruthie Foster (Blue Corn Music), Collage Eric Johnson (Vortexan Music), Kirk Covington and the Devil Horns Kirk Covington (R.M.I Records), Freedonia Freedonia (Christopher Cross Music), Firefly Freedonia (Christopher Cross Music), Step Inside Love: A Jazzy Tribute to the Beatles, Various Artists (ESC Medien)
Professor of Jazz Studies/Jazz Piano
Professor Jeff Hellmer, Director of Jazz Studies, brings a wealth of experience as an educator and performer to the UT jazz program. He maintains an extremely active performing and teaching profile, appearing frequently on the central Texas scene as well as throughout the United States at venues ranging from the Litchfield Jazz Festival to the Idyllwild Arts Academy. Twice named a finalist in the Great American Jazz Piano Competition, he has performed, taught and adjudicated jazz throughout the United States as well as in Russia and Taiwan. His recording, Peak Moments, was declared an “exciting addition to the modern jazz piano catalog” by the All Music Guide. He has been a soloist and guest conductor with the Dallas Wind Symphony twelve times, and has recorded with classical saxophonists Dan Goble and Harvey Pittel.
Professor Hellmer developed a MOOC (Massive Open Online Course) in Jazz Appreciation that was received with critical acclaim on the EdX platform, with an enrollment of over 19,000 students! In this course, he partnered with the learning technology company Cerego to create innovative new online content in jazz studies. As a result, Professor Hellmer was recently named a finalist for the inaugaral edX Prize for Exceptional Contributions in Online Teaching and Learning.
As the long-time director of the UT Jazz Orchestra, he has led performances of the band at the North Sea and Montreux Jazz Festivals, as well as appearances with jazz masters such as Chris Potter, Joshua Redman, John Clayton, and Kenny Garrett. In 2009, Professor Hellmer was named to the Academy of Distinguished Teachers, one of the highest awards given for teaching at the university. His current and former jazz piano students have garnered impressive recognition for their creativity and individuality. He is co-author of the textbook Jazz Theory and Practice, published by Alfred, and his compositions for jazz ensemble are available through UNC Press and Concept Music.
Professor of Jazz Composition/Jazz Saxophone
Dr. John Mills is a saxophonist and composer/arranger based in Austin, Texas, where he pursues a wide range of concert and recording projects within the jazz idiom and beyond. He has enjoyed the opportunity to perform with such internationally prominent jazz artists as Steve Swallow, Carla Bley, Butch Miles, Kenny Wheeler and Maria Schneider during his career. John currently leads the high-energy, ten-piece fusion ensemble Times Ten, which features his compositions and whose acclaimed first CD, Caffeine Dreams, is available on Fable Records.
Outside of the jazz realm he has worked on stage or in the recording studio with such R&B icons as Bonnie Raitt, Dr. John and Aretha Franklin, alternative pop artists David Byrne and Jonny Greenwood (Radiohead), and country stars including Ray Benson and Asleep at the Wheel, Lyle Lovett, and Willie Nelson. His orchestral arrangements for major artists such as these have been performed by symphonies across the U.S. and abroad.
John has composed extensively for both professional and university jazz ensembles, including a number of works published by Walrus Music. He was awarded First Prize at the 2008 ArtEZ International Jazz Composition Contest in the Netherlands for If Memory Serves, and in 2009 he collaborated with UT Professor Jeff Hellmer to score the first full orchestration of Duke Ellington’s unfinished folk-opera, Queenie Pie.
Among his educational activities, Dr. Mills has presented jazz master classes at the Royal Danish Academy in Aarhus, the Rimsky-Korsakov Conservatory in St. Petersburg, the University of Greifswald (Germany) and the University of Ljubljana in Slovenia. He is an Associate Professor of Jazz Studies in the Butler School of Music, where he teaches jazz saxophone, composition, arranging and history.
Assistant Professor of Composition and Jazz Studies
Hailed by Herbie Hancock as showing “great promise as a new voice in the further development of jazz in the future,” educator, arranger, and award-winning composer Omar Thomas (b. 1984) has created music extensively in the contemporary jazz ensemble idiom. Omar previously served as an Associate Professor of Harmony at Berklee College of Music and a Visiting Professor in Music Theory at The Peabody Institute of The Johns Hopkins University. He has thrice been awarded the Certificate of Distinction in Teaching from Harvard University, where he served as a Teaching Fellow for four years. He was awarded the Boston Music Award’s “Jazz Artist of the Year” in 2012. In 2017, he was selected to participate in the Cité Internationale des Arts residency in Paris, and in 2019 was the chosen recipient of the prestigious National Bandmasters Association/Revelli Award, honoring excellence in wind band composition.
Omar’s music has been performed in concert halls and on stages across the country and internationally. His work is featured on Dianne Reeves’s Grammy Award-winning album, “Beautiful Life.” His big band, the 18-piece Omar Thomas Large Ensemble was formed in 2008. The group’s first album, “I Am,” debuted at #1 on the iTunes Jazz Charts and peaked at #13 on the Billboard Traditional Jazz Albums Chart. Their second release, “We Will Know: An LGBT Civil Rights Piece In Four Movements,” has been hailed by Grammy Award-winning drummer, composer, and producer Terri Lyne Carrington as being a “thought provoking, multi-layered masterpiece” which has “put him in the esteemed category of great artists.” Says Terri Lyne: “Omar Thomas will prove to be one of the more important composer/arrangers of his time.”
Lecturer in Jazz Trumpet
Mike Sailors has performed around the world in venues such as the Blue Note (New York, Tokyo, and Sapporo locations), Ronnie Scott’s, Porgy and Bess, Dizzy’s Club Coca Cola, The Jazz Standard, Smalls Jazz Club, Carnegie Hall, and Lincoln Center; and has appeared at the Montreal, Detroit, EFG London, and Tokyo Blue Note Jazz Festivals. He has also been an active musician in Broadway orchestras, most notably as the Music Director/Contractor of Sleep No More. In addition to leading small groups and big bands, he has performed as a sideman with the Birdland Big Band, the Hot Sardines, the Gerald Wilson Orchestra and The Afro Latin Jazz Orchestra.
An active composer and arranger, Mike has written for such luminaries as Dewey Redman, Dick Oatts, Sean Jones, Jimmy Cobb and Peter Bernstein. He has composed and recorded music for numerous commercial campaigns, as well as for TV and Film – most recently for the Netflix original series “Cannon Busters”.
Dedicated to education, Mike has published numerous arrangements for high school and college jazz ensembles. He was a recent clinician for the North Carolina All-State Jazz Band, as well as the North Carolina Music Educators Conference. Sailors is also a performing artist/educator with Jazz at Lincoln Center’s Let Freedom Swing educational program, as well as a copyist and editor for the Essentially Ellington jazz program.
Wayne Salzmann II
Specialist in Drum Set
firstname.lastname@example.orgWayne Salzmann II is an incredibly versatile and active drummer with nearly 20 years of experience. Born and raised in Neenah, Wisconsin, Salzmann was exposed to a wide variety of music at a young age. By the time he was sixteen, he was playing regular gigs, had won the DW/Zildjian drum solo competition, and was teaching drum lessons at a local music store. He earned a full-tuition music scholarship from the University of Wisconsin-Stevens Point where he received a student-research grant to travel to New York City and study with legendary drummers Bill Stewart, Joey Baron, Billy Martin, and Ari Hoenig. In 2008, Salzmann was awarded a teaching assistantship from the University of Texas, and moved to Austin to pursue a masters degree in music. While in Austin, he met Grammy winning Guitarist Eric Johnson, with whom he is currently touring and recording.
He has performed with Eric Johnson, Joe Satriani, Joe Bonamassa, Bobby Mcferrin, Robben Ford, Albert Lee (Eric Clapton), Chris Potter (Steely Dan), Carlos Sosa (Jason Mraz), Kevin Lovejoy (John Mayer), Ephraim Owens (Sheryl Crow), Jeff Coffin (Dave Matthews Band), Joe Lally (Fugazi), John Jorgenson (Elton John), Oz Noy (Chris Botti), Roscoe Beck (Leonard Cohen), Red Young (Dolly Parton), Jake Langley (K.D. Lang), Bob Schneider, Sonny Landreth, Esperanza Spalding, Kat Edmondson, Suzanna Choffel, The Yellowjackets, Romero Lubambo, Andre Mehmari, Carmen Bradford, Gabriel Santiago Quintet, Tameca Jones, and The UT Faculty Jazz Quintet.
Salzmann has been featured on dozens of albums and music videos with a wide variety of artists in Jazz, Blues, Rock, Funk, R&B, Soul, Singer-Songwriter, Brazilian, African, and Classical genres. He has also recorded for multiple commercial jingles, television shows and Hollywood film soundtracks. Salzmann has toured extensively throughout the United States, Europe, and Brazil, and he played drums for the 2011 Eric Johnson Up Close Tour and 2012 EJ World Tour. He has performed everywhere from club gigs to Carnegie Hall, to International Music Festivals, and Amphitheatre gigs supporting Steve Miller Band.
Wayne Salzmann II is known for his ability to fit into a wide variety of genres, and serve the musical styles while expressing his own unique voice from behind the drums. He also writes and arranges music for his own project called Wayne Salzmann’s Groove Society. Salzmann currently holds both bachelor’s and master’s degrees in music, and is the drum-set Instructor at the University of Texas at Austin. He has been teaching privately for nearly 15 years, and has given master classes at Universities and Music Conservatories worldwide. He proudly endorses DW Drums, Pedals, and Hardware, Zildjian Cymbals, Evans Drumheads, Puresound Snare Wires, and Pro-Mark Drumsticks, with whom he has a signature model drumstick.
Specialist in Jazz Trombone
After graduating with his Masters degree in Studio Music and Jazz from the Frost School of Music in Miami, Florida, Paul moved to Austin, Texas and has quickly become one of the city’s first call trombonists. He is currently playing and touring with musical groups The Polyphonic Spree, What Made Milwaukee Famous, Progger(an offshoot of Snarky Puppy), The Royal Dukes, and Summit Recording artists Jazzbonez, among many others in the Austin area. In the spring of 2016, Paul was featured as the guest artist and clinician with the University of Arizona Concert Jazz Band for the Arizona Jazz Festival. Paul was a featured performer at the 2015 TMEA convention in San Antonio and was also featured in a showcase at the American Trombone workshop in March of 2015. In November 2014, Professor Deemer had the honor of conducting one of the Region 26 jazz bands in Austin and was also selected to give a masterclass at the renowned Booker T. Washington High School of Performing Arts in Dallas. Paul can regularly be seen performing with his own group at the Elephant Room and the Brass House. He recently performed in the horn section for Frankie Valli in August of 2016 and February of 2015, Robert “Sput” Searight’s(Snarky Puppy) the Sput and Nate show, Walkmen during FFFun Fest 2014, and in the Grooveline Horn section for The Kenny Wayne Shepherd Band in Shreveport, Louisiana and Austin, Texas. Paul teaches and gives clinics throughout the state of Texas and runs a Jazz Concert Series in Austin, Texas, where his band is regularly featured. Paul Deemer plays Rath trombones and Warburton mouthpieces.
Specialist in Jazz Guitar
Bruce Saunders is an award-winning guitarist, composer, author and educator. After receiving his Masters degree in jazz/classical guitar from the University of North Texas in1986 he moved to New York city and began his musical career in earnest and has since recorded, performed and toured with some of the worlds best jazz musicians. A partial list would include: Jack DeJohnette, Dave Holland, Bill Stewart, Peter Erskine, Kenny Werner, Mark Murphy, John Riley, Ben Monder, Curtis Fowlkes, George Garzone, Leon Parker, David Berkman, Gerald Cleaver, Steve Cardenas, Donny McCaslin, Scott Colley and many others. He has performed at many renowned New York jazz venues including Birdland, The Blue Note, Smalls, Fat Cat, The Jazz Standard, The Knitting Factory, Barbes, Detour, Smoke, Tonic and many others.
He has been a faculty member of the Berklee College of Music, one of jazz music education’s most prestigious schools, since 1993. He is currently teaching jazz guitar at Berklee, The University of Texas Austin and Austin Community College as well as private lessons with select students.
He has developed two popular courses for BerkleeMusic (Berklee’s online university): Jazz Guitar and Jazz Guitar 201. He has also taught at New York University, The New School and conducted many clinics and concerts in countries such as Colombia, Portugal, Mexico, Spain and Japan as well as throughout the United States. He has six CDs as a leader and has played on approximately 35 other recordings. His newest recording is entitled “Drift” and was released on the Strange Planet Records label in January 2013. He is the author of six jazz guitar method books published by Mel Bay Publications.