Associate Professor of Jazz, String Bass
Cadence Magazine calls John Fremgen “…an adroit craftsman on the strings slapping and popping away on electric or plucking resonant tones on acoustic.” He can be seen performing in Austin with various artists including Tony Campise, Paul Glasse, Doug Hall, Mitch Watkins, Abra Moore, Gerry Gibbs, and Jeff Hellmer. He has performed with many jazz luminaries including Jamie Findlay, Shelly Berg, Rick Margitza, Gary Foster, Leni Stern, Ernie Watts and Larry Koonse. He is an assistant professor at The University of Texas where he teaches jazz improvisation, jazz theory, jazz history, jazz bass and directs the AIME ensemble. He has performed, taught and conducted across the US as well as Switzerland, Russia, and Holland. He has appeared on many jingles and national broadcasts including Morning Becomes Eclectic, Late Night With David Letterman and the Bravo documentary In My Life with George Martin. His bass playing can be heard on the TV shows Party Of Five, Dawson’s Creek and the motion picture Down To You and commercials for Sonic, Starburst, Xeorox and Ford. He records for the Viewpoint record label with which he has released three solo CD’s, Meanwhile, Pieces of String and If Not Now, featuring Peter Erskine, Shelly Berg and many others. John Fremgen endorses Acoustic Image amplifiers and MTD basses.
As a leader:
Meanwhile with Peter Erskine and Mitch Watkins (Viewpoint), Pieces Of String with Peter Erskine and Shelly Berg (Viewpoint), If Not Now (Viewpoint)
As a sideman:
Words For Living PJ Olsson (Sony), Beautifully Insane PJ Olsson (Sony), PJ Olsson PJ Olsson (Red Ink), Dust PJ Olsson (HitIt!), Math And Science Math and Science (Brick Red), The Songs of Dawson’s Creek various (Sony), In My Life George Martin (MCA), Peak Moments Jeff Hellmer/Rick Margitza (Viewpoint), Jazz, Bars and Battlescars Tony Campise (Viewpoint), Faithful Sara Hickman, Goodnight Venus Libby Kirkpatrick (Heart Music), Tucker Livingston Tucker Livingston (AMP)
Fremgen shows himself an adroit craftsman on the strings, slapping and popping away on electric or plucking resonant tones on acoustic.
John Fremgen is the best bass player on the scene today-at home in virtually any setting or lineup.
– The Austin Chronicle
Fremgen is consistently on his toes, strong and energetic, and the group swings hard and happy.
-All Music Guide
[Fremgen's] bowed, upright bass passages stir the soul.
-Southland Blues Magazine
This band was a very pleasant surprise…. “A Nightingale Sang in Berkley Square” gives scope for a fine solo from Fremgen.
– HiFi+ Magazine
Professor of Jazz Studies/Music Industry/Jazz Piano
Professor Jeff Hellmer, Director of Jazz Studies, brings a wealth of experience as an educator and performer to the UT jazz program. He maintains an extremely active performing and teaching profile, appearing frequently on the central Texas scene as well as throughout the United States at venues ranging from the Litchfield Jazz Festival to the Idyllwild Arts Academy. Twice named a finalist in the Great American Jazz Piano Competition, he has performed, taught and adjudicated jazz throughout the United States as well as in Russia and Taiwan. His recording, Peak Moments, was declared an “exciting addition to the modern jazz piano catalog” by the All Music Guide. He has been a soloist and guest conductor with the Dallas Wind Symphony eight times, and has recorded with classical saxophonists Dan Goble and Harvey Pittel.
Professor Hellmer developed a MOOC (Massive Open Online Course) in Jazz Appreciation that was received with critical acclaim on the EdX platform, with an enrollment of over 19,000 students! He has also partnered with the learning technology company Cerego to create innovative new online content in jazz studies.
As the long-time director of the UT Jazz Orchestra, he has led performances of the band at the North Sea and Montreux Jazz Festivals, as well as appearances with jazz masters such as Chris Potter, Joshua Redman, John Clayton, and Kenny Garrett. In 2009, Professor Hellmer was named to the Academy of Distinguished Teachers, one of the highest awards given for teaching at the university. His current and former jazz piano students have garnered impressive recognition for their creativity and individuality. He is co-author of the textbook Jazz Theory and Practice, published by Alfred, and his compositions for jazz ensemble are available through UNC Press and Concept Music.
Associate Professor of Jazz Composition/Jazz Saxophone
Dr. John Mills is a saxophonist and composer/arranger based in Austin, Texas, where he pursues a wide range of concert and recording projects within the jazz idiom and beyond. He has enjoyed the opportunity to perform with such internationally prominent jazz artists as Steve Swallow, Carla Bley, Butch Miles, Kenny Wheeler and Maria Schneider during his career. John currently leads the high-energy, ten-piece fusion ensemble Times Ten, which features his compositions and whose acclaimed first CD, Caffeine Dreams, is available on Fable Records.
Outside of the jazz realm he has worked on stage or in the recording studio with such R&B icons as Bonnie Raitt, Dr. John and Aretha Franklin, alternative pop artists David Byrne and Jonny Greenwood (Radiohead), and country stars including Ray Benson and Asleep at the Wheel, Lyle Lovett, and Willie Nelson. His orchestral arrangements for major artists such as these have been performed by symphonies across the U.S. and abroad.
John has composed extensively for both professional and university jazz ensembles, including a number of works published by Walrus Music. He was awarded First Prize at the 2008 ArtEZ International Jazz Composition Contest in the Netherlands for If Memory Serves, and in 2009 he collaborated with UT Professor Jeff Hellmer to score the first full orchestration of Duke Ellington’s unfinished folk-opera, Queenie Pie.
Among his educational activities, Dr. Mills has presented jazz master classes at the Royal Danish Academy in Aarhus, the Rimsky-Korsakov Conservatory in St. Petersburg, the University of Greifswald (Germany) and the University of Ljubljana in Slovenia. He is an Associate Professor of Jazz Studies in the Butler School of Music, where he teaches jazz saxophone, composition, arranging and history.
Specialist in Jazz Trumpet
Dennis Dotson, specialist in jazz trumpet, has been a professional trumpeter for forty years, having played in the house bands in Las Vegas and free-lanced in New York City and Houston, Texas, where he now lives. He was trumpet soloist in the Woody Herman and Buddy Rich big bands and as a small group player has performed alongside Joe Lovano, Joe Henderson, Marvin Stamm and David Liebman, among others, and has performed in big bands with such as Carl Fontana, Bobby Shew, Tom Harrell, and Kenny Wheeler. He is on the faculty at Houston Community College, where he teaches private lessons in trumpet and improvisation and is jazz trumpet instructor at the University of Houston. He has led several All-Region high school jazz bands and has been a guest soloist/adjudicator/clinician at over forty high schools and colleges. He is very active as a trumpet player in jazz and commercial circles throughout the state of Texas, has performed with the Houston Symphony Orchestra, and has been a sideman on numerous jazz recordings.
Wayne Salzmann II
Specialist in Drum Set
Wayne Salzmann II is an incredibly versatile and active drummer with nearly 20 years of experience. Born and raised in Neenah, Wisconsin, Salzmann was exposed to a wide variety of music at a young age. By the time he was sixteen, he was playing regular gigs, had won the DW/Zildjian drum solo competition, and was teaching drum lessons at a local music store. He earned a full-tuition music scholarship from the University of Wisconsin-Stevens Point where he received a student-research grant to travel to New York City and study with legendary drummers Bill Stewart, Joey Baron, Billy Martin, and Ari Hoenig. In 2008, Salzmann was awarded a teaching assistantship from the University of Texas, and moved to Austin to pursue a masters degree in music. While in Austin, he met Grammy winning Guitarist Eric Johnson, with whom he is currently touring and recording.
He has performed with Eric Johnson, Joe Satriani, Joe Bonamassa, Bobby Mcferrin, Robben Ford, Albert Lee (Eric Clapton), Chris Potter (Steely Dan), Carlos Sosa (Jason Mraz), Kevin Lovejoy (John Mayer), Ephraim Owens (Sheryl Crow), Jeff Coffin (Dave Matthews Band), Joe Lally (Fugazi), John Jorgenson (Elton John), Oz Noy (Chris Botti), Roscoe Beck (Leonard Cohen), Red Young (Dolly Parton), Jake Langley (K.D. Lang), Bob Schneider, Sonny Landreth, Esperanza Spalding, Kat Edmondson, Suzanna Choffel, The Yellowjackets, Romero Lubambo, Andre Mehmari, Carmen Bradford, Gabriel Santiago Quintet, Tameca Jones, and The UT Faculty Jazz Quintet.
Salzmann has been featured on dozens of albums and music videos with a wide variety of artists in Jazz, Blues, Rock, Funk, R&B, Soul, Singer-Songwriter, Brazilian, African, and Classical genres. He has also recorded for multiple commercial jingles, television shows and Hollywood film soundtracks. Salzmann has toured extensively throughout the United States, Europe, and Brazil, and he played drums for the 2011 Eric Johnson Up Close Tour and 2012 EJ World Tour. He has performed everywhere from club gigs to Carnegie Hall, to International Music Festivals, and Amphitheatre gigs supporting Steve Miller Band.
Wayne Salzmann II is known for his ability to fit into a wide variety of genres, and serve the musical styles while expressing his own unique voice from behind the drums. He also writes and arranges music for his own project called Wayne Salzmann’s Groove Society. Salzmann currently holds both bachelor’s and master’s degrees in music, and is the drum-set Instructor at the University of Texas at Austin. He has been teaching privately for nearly 15 years, and has given master classes at Universities and Music Conservatories worldwide. He proudly endorses DW Drums, Pedals, and Hardware, Zildjian Cymbals, Evans Drumheads, Puresound Snare Wires, and Pro-Mark Drumsticks, with whom he has a signature model drumstick.
Andre Hayward is an extremely gifted trombonist with the sound and clarity reminiscent of the late J.J. Johnson. His gospel-tinged approach is refreshing and will warm the hearts of anyone he comes in contact with.
Born in Houston, Texas in 1973, Hayward’s first exposure to the world of music was through his parents, Melvin and Barbara Hayward where musical talent exists on both sides. Hayward began playing trombone and tuba at the age of 11 under the tutelage of Leon Schreiber and 2 years later with Bob Odneal who was lead trumpeter for Maynard Ferguson. Hayward continued playing through high school where he attended the High School for Performing and Visual Arts under the direction of notable jazz educator,Robert “Doc” Morgan. He continued to hone his skills with Houston’s legendary educator,Conrad O. Johnson. It was Conrad’s instruction, and the opportunity to work in his big band,”The Big Blue Sound”, where he really started to gain experience working in an ensemble.
He landed his first engagement with trumpeter Roy Hargrove for a European tour after being heard at a jam session during a festival while playing with the Texas Southern University Jazz Ensemble. After Hargrove, Hayward performed and recorded with singer/bandleader Betty Carter for five years in her acclaimed “Jazz Ahead”program. Other acclaimed performers include Joe Williams, Slide Hampton, John Lewis, Mingus Dynasty Big Band, Gerald Wilson, Kirk Whalum,Jimmy Heath, The Duke Ellington Orchestra and Illinois Jacquet’s Big Band. His most recent performance credits are The Jazz at Lincoln Center Orchestra, The San Francisco Jazz Collective, and The Clayton – Hamilton Jazz Orchestra.
In 2003, he received first place and a $20,000 scholarship at the International Thelonious Monk Trombone Competition in Washington,DC. Hayward is also an educator who has conducted numerous clinics and workshops in various parts of the US and overseas.
Specialist in Jazz Guitar
Bruce Saunders is an award-winning guitarist, composer, author and educator. After receiving his Masters degree in jazz/classical guitar from the University of North Texas in1986 he moved to New York city and began his musical career in earnest and has since recorded, performed and toured with some of the worlds best jazz musicians. A partial list would include: Jack DeJohnette, Dave Holland, Bill Stewart, Peter Erskine, Kenny Werner, Mark Murphy, John Riley, Ben Monder, Curtis Fowlkes, George Garzone, Leon Parker, David Berkman, Gerald Cleaver, Steve Cardenas, Donny McCaslin, Scott Colley and many others. He has performed at many renowned New York jazz venues including Birdland, The Blue Note, Smalls, Fat Cat, The Jazz Standard, The Knitting Factory, Barbes, Detour, Smoke, Tonic and many others.
He has been a faculty member of the Berklee College of Music, one of jazz music education’s most prestigious schools, since 1993. He is currently teaching jazz guitar at Berklee, The University of Texas Austin and Austin Community College as well as private lessons with select students.
He has developed two popular courses for BerkleeMusic (Berklee’s online university): Jazz Guitar and Jazz Guitar 201. He has also taught at New York University, The New School and conducted many clinics and concerts in countries such as Colombia, Portugal, Mexico, Spain and Japan as well as throughout the United States. He has six CDs as a leader and has played on approximately 35 other recordings. His newest recording is entitled “Drift” and was released on the Strange Planet Records label in January 2013. He is the author of six jazz guitar method books published by Mel Bay Publications.